The Forgotten Man

The Forgotten Man

For my paper I will write about “The Forgotten Man” by John McNaughton. With the White House shown in a dreary background, this painting shows 44 U.S. presidents and a distraught young man sitting on a park bench. This painting was made in 2010, after the passage of the Affordable Care Act, and shows two presidents (Bill Clinton and Franklin D. Roosevelt) applauding, while a number of other presidents (Lincoln, Reagan and Washington) show concern for the man on the bench. Meanwhile, President Obama is shown stepping on the U.S. Constitution, while James Madison appears to be trying to save it.

I would like to explore several points about this painting that are very interesting. First, this painting is different from the paintings that Berger shows in Ways of Seeing in that while the old paintings that Berger shows did not have a political message and were often intended to show the wealth of their owners or women as objects, this painting has a clear political purpose to criticize President Obama and wasteful government spending. Also, this painting demonstrates Berger’s point about how using photography to recreate paintings can change their meaning. For example, if the camera focuses on only one part of the painting, such as the presidents who are applauding, instead of showing the whole picture, the message of the painting becomes completely different. This painting is a good example of art that is used for political propaganda purposes, which I find very interesting and different from the paintings in Ways of Seeing.

This or that?

The image I chose to write about is a picture that was actually taken by Diana Davies that shows Donna Gottschalk holding up a sign that reads “I am your worst fear, I am your best fantasy.” I chose this image because I feel I can make a few connections to Berger’s analyzation of oil paintings in episode 2 of Ways of seeing. The way vanity was shown in oil paintings v.s the way that the image has a woman looking at another woman. The objectification of Women as seen in the oil paintings v.s the non-existent objectification in the image by Diana. You don’t see “nude”, you see “I am your worst fear, I am your best fantasy”. You don’t see men choosing women, you see women choosing themselves. You see something much more different than the oil paintings. I’d like to also take the time to find out how the oil paintings are similar to the image and not just different. For a moment it occured to me how if people don’t know that the picture was taken at a Gay Liberation Parade, one would think that the quote is for a women’s rights march. This made me think of Episode 1 of Ways of seeing, and how the context in which you see the image can change your perception of it. I’m not sure which lens i’ll use yet, but i’m weighing my options. 

THE GREAT REVELATION…

The picture that I chose to write about in my first paper is Donna Gottshalk. She is an American photographer who was active in the 1970s and came out as lesbian around the time that Radicalesbians and the Furies Collective formed.

This picture was taken in Gay Liberation Day rally in 1970.I will compare the work she was doing at that time and in turn the perspective that John Berger shows in his episodes.

In addition, I also chose this image because I find it shocking to investigate a woman who supported the LGBTI group in the 70s when it was called taboo, in the same way to know more about her life and what led her to rely on these photographs.

She’s OWNING it and Doesn’t Give a Fluck

The photo above goes against all the traditional European oil painting norms. This woman is standing her ground and is exuding power. Power that belongs to her and only her, and not for the purpose of a man’s gratification. her head is tilted upwards, with a slight smirk, making her look confident in herself and not as if she is trying to please someone else. her feet are planted firmly and spaced apart, a commonly thought “man’s” stance. the sign she is holding is incredibly powerful, “I am your worst fear, I am your best fantasy”. this is alluding to the fact that men constantly fantasize about women, but feel intimidated when they have power or an edge over them in some way. Whatever the case may be, this photo oozes confidence, individuality, and independence. but not just independence in paying her bills, and independence that she has to speak up and not be held down by someone with opposing views. And oddly, this is seen as powerful and encouraged in much of todays society in America, in the sense that the feminist movement is urging women to speak up about their rights, and equal rights for all. Whether that be gender, sexual orientation (like what is being protested here), and race. This is all directly AGAINST what Berger spoke about in the third episode of “Ways of Seeing”, where women were always being depicted as subservient to the men staring back at her.

this video shows how a bisexual muslim women stands up for her rights to be herself, and others like her.

Smoke Signals in the City

USA. Brooklyn, New York. September 11, 2001.

9/11 the day the earth stood still. A cloud of devastation swarmed and coated buildings and everything around it in a thick ash. Everyone has a story about the day and some did not come home to tell to the story. Images and videos went on and circulated the news and internet forever solidifying the reality of the tragedy,yet altering the thoughts and feelings of the american people. Hoepker took this photo in Brooklyn on the day of 9/11 . Showing a group of youthful people enjoying their day while in the background catastrophe erupts in Manhattan. A terrorist attack hits the heart of NYC and  this photo makes the assumption that no one seems to mind . In my paper I will be deconstructing with the similar eye of John Berger’s ” Ways of seeing” revealing the different perspectives that  the photographer Hoepker is shown to use when selecting this moment in time to capture. From the foreground a light blue  sky and lush greenery framing the photo elegantly symbolizing a nice day that everyone has experienced and enjoyed at least once  , demonstrated by the Youthful people sun bathing in midst a conversation  as if they enveloped in this moment yet the background shows a plume of smoke indication devastation and death. The two contradicting scenes displayed in this photos allows the spectator’s mind to be easily bend to its interpretation and begs the question “Did they know what was happening ? did they care? or worse ..did they already forget?..” All speculations cause by the forced Perspective that the artist creates and that  John Berger speaks of in the “Ways of Seeing” perspective that is made specifically manipulate the viewers thoughts to form the same view that Hoepker saw in that moment that day .